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Playing creator, explorer, and documenter of virtual landscapes with the use of GIS and terrain generating software, new responses to the landscape are generated with forms ranging from trompe l’oeil realistic photos and animations to painted geometric abstractions. Many of these works draw on the inspiration of Mt. Rainier, much as Cezanne repeatedly used Mont Sainte-Victoire as a starting point for his abstractions.
Read Exhibition Statement
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Rainier to Leavenworth Virtual Flyover
Animated Digital Rendering of Virtual Terrain
2010 |
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46° 51’06” N, 121° 45’28”W (Post Apocalypse Render)
Print on Canvas, 36” X 48”
2010 |
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46° 51’06” N, 121° 45’28”W (After Friedrich)
Oil on Canvas, 48” X 72”
2010 |
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46° 51’06” N, 121° 45’28”W (Delaunay Triangulation)
Oil on Canvas, 48” X 72”
2010 |
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46° 51’06” N, 121° 45’28”W (Forest for Trees)
Acrylic on Canvas, 48” X 72”
2010 |
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47° 19’38” N, 120° 27’36”W (Mission Contours)
Oil on Canvas, ”, 48” X 60”
2010 |
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46° 51’06” N, 121° 45’28”W (After Kelly)
(case dimensions), Oil and Mixed Media on Wood, 90” X 31”
2010 |
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America (As a Function of Race Concentration)
Formica Samples and Wire, 60” X 72” X 8”
2009 |
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Manifest Destiny (Robert Graves Gallery Installation View)
Painted Green Screen, Computer, Camera, Projector, Lights
2010 |
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Manifest Destiny (Robert Graves Gallery Installation View)
Painted Green Screen, Computer, Camera, Projector, Lights
2010 |
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